121 posts categorized "Learning & Creative Process"

March 28, 2012

Not Knowing Lies at the Core of Creativity

200px-Wislawa_Szymborska_Cracow_Poland_October23_2009_Fot_Mariusz_Kubik_01
photo by Mariusz Kubik

From Wislawa Szymborska's Nobel Prize in Literature Lecture, December 7, 1996:

I value that little phrase "I don't know" highly. It's small, but it flies on mighty wings. It expands our lives to include the spaces within us as well as those outer expanses in which our tiny Earth hangs suspended. If Isaac Newton had never said to himself "I don't know," the apples in his little orchard might have dropped to the ground like hailstones and at best he would have stooped to pick them up and gobble them with gusto. Had my compatriot Marie Sklodowska-Curie never said to herself "I don't know", she probably would have wound up teaching chemistry at some private high school for young ladies from good families, and would have ended her days performing this otherwise perfectly respectable job. But she kept on saying "I don't know," and these words led her, not just once but twice, to Stockholm, where restless, questing spirits are occasionally rewarded with the Nobel Prize.


I hope you've said "I don't know" at least once today.

March 15, 2012

Creativity: Basic Principles

Deborah Pettway Young quilt 1960
Depborah Pettway quilt

I discovered these "principles of creativity" on a handout I made for a workshop I led ten years ago (yikes.) In any case, I believe they still hold up:

  • Creativity comes from the heart. Our hearts are what inspire our creativity. Listening to the heart's wisdom, we have the courage to do something different, try out new directions and explore new terrain. Creativity happens when our heart is moved and inspired.
  • Creativity needs space, both internal and external. One of the biggest blocks to creativity is having our psyches clogged with unfinished business. A simple walk or time spent in nature can give us space and a fresh perspective, or simply stopping to close our eyes and take a few deep breaths.
  • Your creative spirit needs a big vision. When we make things too small and focus on the mundane and trivial, we lose juice and life becomes boring. We can focus on problems, or we can focus on our big vision. We have a choice.
  • Creativity is nourished and fed by beauty. Nurturing environments and nurturing people.
  • Creativity is centered in you. The creative ground that you stand on is outside of the institution that you work for. Your own creative ground is comprised of your loves and passions, those things that you value and hold most dear.
  • Creativity is unique. Your response to any situation is unique. Your perspective is unique. And your creative expression is unique.
  • Creativity is bigger than you are. In the midst of a creative project, you don't know what the end result is going to look like. It's a lesson in letting go, to let your creativity take you in a different direction than you expected.
  • Creativity comes with "Beginner's Mind." Beginner's Mind means not acting out of habit. It means having an open mind and perceiving what is happening with fresh eyes. Be willing to not know.
  • Creativity means having a relationship with the world. Creativity requires participation--stepping out of our "bubbles," engaging with whatever it is that we are passionate about.
  • The movement of your life is toward learning and creative growth. Life presents us with continual opportunities to learn and create.

By the way, I have a new column on the Examiner.com, so please check it out: http://www.examiner.com/arts-education-in-san-francisco/kim-hermanson-ph-d

January 03, 2012

Navigating the Unknown - Examiner.com article

Images

David Lynch, the legendary director of many noteworthy films including Elephant Man and Eraserhead, was once asked by Terry Gross on Fresh Air what he does when he makes a movie. After a long pause he replied, “You know, when I’m making a movie, I don’t know what I’m doing.” Of course there is something that is guiding his actions, but whatever it is, isn’t something that he can verbalize. When Lynch is immersed in his creative process, he has a way of knowing that doesn’t involve words.

Even if we are not professional artists, every time we enter a situation not knowing how it's going to turn out, we are engaged in the creative process. How do we navigate this unknown territory? ...To read the rest of the article, go to the Examiner: http://www.examiner.com/arts-education-in-san-francisco/navigating-the-unknown

December 22, 2011

Learning is a Conversation - Excerpt from Getting Messy

In the 1920s, Lincoln Steffans was a history student at the University of California Berkeley. As a freshman, he became engrossed in history and read everything he could find on the subject. It soon became clear to him, however, that these scholars of history did not agree. He discovered that history was not a set of facts set in stone. Rather, history was an ongoing conversation, a conversation in which he himself, as an undergraduate, could participate. He wrote,

What I had was a quickening sense that...every chapter of [history], from the beginning of the world to the end, is crying out to be rewritten. There was something for Youth to do...Maybe these professors, whom I greatly respected, did not know it all. I read these books over again with a fresh eye, with a real interest, and I could see that, as in history, so in other branches of knowledge, everything was in the air. (quote found in Danielle Lafrance’s Berkeley! A Literary Tribute.)

We can only really know something by forming our own relationship with it. You can read a book on a particular topic and pick up various pieces of information, but the material will not come alive for you unless you develop a personal relationship with it—a relationship that inspires your own questions and responses. This is when learning becomes expansive. We don’t know what this relationship is going to hold for us and we don’t know how it’s going to shift and change over time. In the process of developing this connection, we uncover our values and beliefs, which in turn shape our perceptions and subsequent learning. We also discover this particular topic’s questions and areas of debate, footholds where we are most likely to want to participate in the conversation.

In I and Thou, Martin Buber wrote, “All real living is meeting” and that is true when we learn. Learning happens when we form a relationship with the thing we are seeking to understand. In Buber’s words, we cannot “have” the ocean, we cannot have any thing—but we can engage in relationships in this world. We can enter into a closeness with other people and with things, and this relationship with “other” is what is transformative. There is a sacredness in this relationship, in this “space between” us and our subject.

What is required when we teach in dynamic, continually-changing environments, environments where we are working entirely with the mystery of human nature?

My approach is to be a learner, and just as Lincoln Steffans discovered in the example above, learning is a conversation. Learning happens when we move out of our individual bubbles to participate and interact with something outside of ourselves. Then we step back “in” to reflect on our experience. Breathing occurs in the same manner: in-breath, out-breath, in-breath, out-breath. As we move forward, taking steps out and in, we begin to develop our own relationship with the topic. In this book, we are exploring what it means to be teachers and learners—in both cases, we ask questions, test them in action, and then go back in to reflect on what has occurred. In-breath, out-breath, in-breath.

The educator and philosopher John Dewey wrote that learning is a venture into the unknown that always involves risk. It requires courage, vulnerability, a degree of humility, and the willingness to be present to the unfolding. We may not know how to respond to some particular thing, but we are willing to learn.

Excerpted from Getting Messy: A Guide to Taking Risks and Opening the Imagination for Teachers, Trainers, Coaches and Mentors © Rawberry Books Publisher. For more information, go to the book page of this blog.

Happy holidays everyone!

November 27, 2011

Paul Reynard Exhibit: December 5-9 New York, Art Directors Club

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The artist Paul Reynard was asked before he died, "What is the place of art in contemporary life?" He responded, "The question could well be formulated as 'What is the place of love in contemporary life?'"

I've always loved that statement--it says so much. I'm also enthralled with his writings on the creative process. He said: "A work of art is necessarily incomplete. It is a way of learning." To my mind, we're all in this process of art-making, whether we think of ourselves as artists...or not.

This December, Art Directors Club Gallery in New York will hold a large exhibition of Reynard's work (he died in 2005.) In my opinion, the best artists show us how to see with love, and that's what Reynard's work is about. Here are the details:

December 5-9, 2011
Reception: Dec. 6th, 6-9PM

The Art Directors Club Gallery
106 West 29th Street, New York city
Hours: Mon-Fri, 10am-6pm
Tel: (212) 643-1440

October 02, 2011

God is unknowable. All we have is metaphor.

Linda Pettway 1975
Linda Pettway quilt

The same could be said for knowing anything of any depth or complexity ... our universe, each other, or how to navigate through a turbulent situation. The metaphors that we hold are what enable us to construct meaning and find our way. Metaphor is much more than a tool of language--it's how we make sense of the world. It's how we learn.

We'll be exploring metaphor at my upcoming one-day workshop at Book Passage. Our means of exploration with be writing and image. I hope you'll join us.

METAPHOR IN EVERYDAY LIFE workshop
Book Passage, Corte Madera
Sunday November 13th
10 am - 4 pm

To sign up: http://bookpassage.com/event/class-kim-hermanson-metaphor-everyday-life

September 22, 2011

Images have a very quiet voice

Lucy Mooney 1935
Lucy Mooney 1935

For a long time, the various parts of me have felt separate: I'm both an academic and a creative. I am passionate about teaching and learning, as well as creativity and the arts. As I've journeyed on my path, I've realized that it's my mission to bridge the academic and creative. Since images lie at the heart of the creative process, images also lie at the heart of learning.

I believe that my academic courses provide a strong foundation for the "legitimacy" of the arts--offering substantial evidence of their centrality in learning and cultural change. Some of these courses include Psychology of Metaphor, Psychology of Creativity, Psychology of Transformative Learning, The Purpose and Power of Image and Imaginal Ways of Knowing. (For course descriptions, go to Events & Classes page.)

I often think of image and imagination as the "language of the heart," and this language needs our support. While images are at the center of any kind of creative transformation, they have a very quiet voice. Images need to be welcomed and given space, else they will not be heard.

September 19, 2011

We're at our most creative when we actively engage with images

Quilt 9
Florine Smith quilt 1975

Creative individuals mentally play with images all the time, no matter what field they work in. But research shows that all of us are embedded in the world of mental imagery all the time... and our cognitive systems are based in metaphor. Even individuals who define themselves as "less creative" are at their most creative when they actively engage with images.

September 16, 2011

Metaphor in Everyday Life - Workshop at Book Passage

Quilt 3
Essie Bendolph Pettway quilt

In the case of every historic scientific discovery and invention that is researched carefully enough, we find that it was imagery, either in dreams or in a waking state, which produced the breakthrough.
--John Curtis Gowan

Humans have four ways of knowing: thinking, feeling, physical sensing, and imagination, but we tend to favor only one of these modes—thinking. Of these four modes of knowing, imagination (or image-ing) is arguably the most powerful and least understood. To shed some light on this matter, I’m teaching an upcoming workshop at Book Passage on image and metaphor. We will focus on the role of image and metaphor on the creative process, as well as its role in shaping the “lenses” that we use to view the world around us. Here’s the link to sign up:

http://bookpassage.com/event/class-kim-hermanson-metaphor-everyday-life

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Metaphor in Everyday Life – Workshop
Book Passage, Corte Madera
Sunday, November 13th, 10 am-4 pm

Every aspect of our daily experience is influenced by metaphor. While writers may try to use metaphor to enrich their writing, the truth is that we are always writing (and looking) through a metaphoric lens. In this experiential workshop we explore metaphor as a potent force that shapes how we see the world. I hope you'll join us!

August 28, 2011

The Purpose and Power of Image Course Syllabus

Hi folks. Update: This is a course I recently taught for Pacifica Graduate Institute. If you are interested in the content of this course, please let me know! You can send me an email by clicking "Receive Event Announcements" on the left side of this page. I'd be glad to share my sources. Thanks for your interest!

August 22, 2011

Teaching as Creative Process

Essie Bendolph Pettway quilt

The creative process is how we engage with life, and all of us engage with life in a variety of ways. Teaching has been my creative passion because it seems to me to be the ultimate “meeting of life.” When we work with a new group, we have no idea who is going to show up or what challenges (or gifts) lie before us. Jacob Needleman, one of my favorite authors, says that a sense of meaning is more important than anything else in life. Without meaning, we are in despair. He writes, “We’re built to serve something greater than ourselves.”

Getting Messy is a book about the beauty and richness of teaching. Here’s an excerpt from the Conclusion:

A friend who loves metaphors asked me what metaphor came to my mind for this book. My subconscious mind immediately gave me a very clear image, but I didn’t want to share it, because my image was the mushroom cloud after the atomic bomb was dropped. (That certainly was messy.)

My subconscious had been influenced by a play I saw recently about the science that led up to the bomb. What I remember from watching the play is that two different substances collide which results in the splitting of atoms, and the splitting of atoms creates an enormous amount of energy. Finding myself curious, I looked it up on wikipedia.org:

“In 1898, French physicist Pierre Curie and his Polish wife Maria Sklodowska-Curie had discovered that present in pitchblende, an ore of uranium, was a substance which emitted large amounts of radioactivity, which they named radium. This raised the hopes of both scientists and lay people that the elements around us could contain tremendous amounts of unseen energy, waiting to be tapped.”

There is something about the line “containing tremendous amounts of unseen energy, waiting to be tapped” that has to do with why this particular image came up for me. Getting Messy is about learning, creativity, imagination, and traversing into unknown space. It presents a higher vision of teaching and learning, a vision that bridges two well-established polarities: learner-expert and learning process- creative process. When we bridge these polarities, we create third space—imaginal space. Like the radium discovered by Pierre and Maria Curie, imaginal space is already present in our everyday lives. It is unseen energy waiting to be tapped. I believe it’s time for us to tap it.

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Note: The quilt at the top of this post was made by Essie Bendolph Pettway. See more Gee's Bend quilts at http://www.auburn.edu/academic/other/geesbend/explore/catalog/slideshow/index.htm

June 15, 2011

Alternative Ways of Getting a Ph.D.

I just read a book (Trent Jacob's The Authentic Dissertation) about alternative dissertations—-using art, fiction, dialogues, indigenous ways of knowing and so on for doctoral dissertations. I have to admit, my dissertation process was one of jumping through hoops to try to please my committee. My first draft was all “me” and I was soundly criticized for it (I was painfully raked over the coals.). So after I recovered from the verbal scolding I completely changed gears, listened to what my committee wanted me to do, and proceeded to follow their directions to a T. After all, I wanted the degree and I didn’t really feel like engaging in a battle. I was at a traditional university (University of Chicago) where these venerable professors had been guiding students through the dissertation process for decades. In other words, I wasn’t gonna win this war. The positive result was that I completed a dissertation that they were happy with and I received my degree within the next year. The negative was that I finished my Ph.D. without feeling like I had done anything meaningful. My dissertation chair wanted me to publish my findings, he said that he felt the world needed this information. I looked at my dissertation and couldn’t understand what he was talking about. For me, there wasn’t anything there. It had been a vacuous hoop-jumping experience.

Students often ask me to give them guidance on online Ph.D. programs. Up until recently, I had always suggested that they go to a well-known graduate school and get a solid foundation of traditional academic research underneath them, then start their real learning after they leave school. (This is what I did.). But after reading about all this arts-based research, I now see that there is another way to do higher education. The other way is to have the educational experience itself be a developmental journey where you are truly following your own inner voice. Although I’m happy with my degree, I admire the people who have used their graduate education to find their own voice.

(I’m not sure that there are many schools in the United States that really offer such an exploratory model--most of the example dissertations in Jacobs' book were from Canadian and European universities--but I would like to think that the two graduate schools where I teach Meridian University and Pacifica Graduate Institute do offer an experiential, personal model of inner exploration during the Ph.D. dissertation process.)

The thing that gets difficult is that since it's a Ph.D. degree, the scholarship for the dissertation needs to be rigorous, and if your dissertation is a novel--in my opinion--you have a more difficult task trying to demonstrate that you've done substantive research. (This point gets mentioned repeatedly in Jacobs' book.) But in any case, it's nice to see the experimentation.

I'll leave you with a quote from the book on the importance of the imagination:

“How do new paradigms of thought come into being? It is not simply a matter of pouring isotopes into different test tubes and applying vacuum distillation to measure their rates of precipitation. The only vacuum distillation that exists for the human mind is the imagination.”

May 01, 2011

Life Is Calling All Of Us To Be Teachers

Almost two years ago I published a book on teaching, Getting Messy: A Guide to Taking Risks and Opening the Imagination. The heart of the book was to show teaching (at its best) as a creative process of learning along the way. By approaching teaching as a process of ongoing inquiry in which we are learners (along with our students), we’re able to stay renewed, recharged and inspired. Because if we can be learners when we teach, then there must be something bigger than us—what I call a “third thing”—that is actually doing the teaching. Burn-out, fear, anxiety and terror happen when the weight of the situation is all on our shoulders—when we feel we must be perfect, have all the answers, be “in control.” But when we find and access the third thing, we have space we can breathe into. We can be “headless”—operating from our hearts and the highest parts of ourselves, rather than our egos and linear minds.

Being a teacher in the traditional sense presents us with an automatic polarity doesn’t it? On one side of the polarity is the teacher, a person who is expected to have professional expertise and managerial control. On the other side of the polarity are the learners, who seemingly have come as empty vessels, waiting to be filled by our infinite wisdom. Despite the wisdom and expertise that we hold, this dichotomy of teacher-student automatically presents a friction, a tension, however we wish to soothe it over. But when we find third space as teachers, we bridge the dichotomy between teacher and student, and the process of teaching and learning finds its highest form. Beauty, grace, and inspiration are now present in the room. We are participating in the mystery. After all, it does say somewhere in the Bible that when “two or more are present, there I am in your midst.” I don’t consider myself to be a religious person, but I have always taught with this in mind. There is a third thing that is present when I teach, and that third thing is where the beauty of teaching and learning lie.

Recently Jennifer Louden and her colleague Michele Christensen hosted an on-line program called Teach Now. I admire Jennifer Louden. She has an ability to speak and present information simply, elegantly and powerfully, and their program appears to have been wildly popular. While the word teacher, for most people, typically evokes the image of a kindergarten or high school teacher, Jennifer Louden and Michele Christensen describe those who are called to teach as members of “a tribe” who want to share ideas, energy, information with others for the sake of serving. Jennifer writes: “Life is calling many of us to be teachers, to share what we have learned and are learning.”

I love what Jennifer and Michele did in their Teach Now program, and I hope that Getting Messy will be a helpful support to those who are called to teach. It can be purchased on Amazon by clicking here, as well as several local bookstores in the Bay area (see the list on the right-hand column of this blog). And you can find out more about Teach Now here: http://jenniferlouden.com/teach-now/

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